Australia's first stop for pop!
From the rousing Coldpay-esque opening title track instrumental that segues effortlessly into lead single ‘Die Young’, it’s clear that Brisbane band Sheppard are brimming with…
Continue Reading about DANIEL INSPECTS SHEPPARD’S ‘KALEIDOSCOPE EYES’
Nick Jonas is a highly underrated musician. His vocal range and ability to tell a story are some of his strongest attributes, yet his chart…
Continue Reading about DAVID LAUNCHES INTO NICK JONAS’ ‘SPACEMAN’
What I find interesting about the path that Steps have taken over the years, is that they have always remained true to themselves as a…
Continue Reading about DAVID REVIEWS STEPS’ ‘WHAT THE FUTURE HOLDS’
Once a year, we’re inundated with albums of Christmas songs we’ve heard a million times before, with the odd new song thrown in. This year,…
Continue Reading about DAVID REVIEWS DELTA
It’s been a three year wait for Paloma Faith’s fifth long player ‘Infinite Things’. But they’ve been a crazy few years; including a TV role…
Continue Reading about DAVID REVIEWS PALOMA FAITH’S ‘INFINITE THINGS’
For anyone who has been following Kylie’s music career over the past several decades, you’d know our girl loves to dabble in a bit of…
Continue Reading about KYLIE’S ‘DISCO’ LOWDOWN FROM DAVID
The concept of ‘strangers and lovers’ is not a new one to us human beings, but when it’s captured in a way that that blends…
Continue Reading about DAVID REVIEWS DAGNY’S ‘STRANGERS/LOVERS’
I’ve always had a deep connection to Melanie C and her music. As a young sporty gay kid, her persona of Sporty Spice spoke to…
Continue Reading about DAVID CHECKS OUT THE MELANIE C ALBUM
Everyone (and I mean everyone) has a view on Lady Gaga. Whether you’re her biggest Monster or think she’s copying Madonna, there’s always an opinion….
Continue Reading about DAVID DIVES INTO LADY GAGA’S ‘CHROMATICA’
Ben Hazlewood has focused on releasing an EP and a series of stunning singles since his appearance on ‘The Voice’. If you’ve had a keen…
Continue Reading about DAVID TAPS BEN HAZLEWOOD’S ‘BLOODLINE’